How to Make Friends with the Dark

February 1, 2019
Sixteen-year-old Tiger Tolliver's struggles are relatively minor--she's stuck in secondhand threads and lusts after her biology partner--until her overprotective but loving mother unexpectedly dies.For more than 200 pages, readers endure with Tiger the two weeks that follow her mother's death. A minor with no known living relatives, Tiger becomes a ward of the state of Arizona, sharing foster homes with kids who have been abused and abandoned. She finds herself responsible for the logistics of death, such as the funeral planning and ordering death certificates. Tiger obsesses over the last words she screamed to her mom, "Why can't you ever just fucking leave me alone?" and refuses to take off the outmoded dress that was the last thing her mother ever bought her. The onslaught of grief and regret is so intimate that at times the novel feels claustrophobic, as if there is no escape. Which, of course, for Tiger, there isn't. There's only surrender to her new normal. A few glimmers of hope appear in the form of friendships and kindnesses, but this narrative is chiefly a first-person experience of the void left behind when the most important person in a young woman's life is suddenly gone. It's visceral and traumatic, pulsing with ache. Tiger is white, and many secondary characters are black and Latinx.A gritty, raw account of surviving tragedy one minute at a time. (Fiction. 14-18)

COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

March 1, 2019
Grades 9-12 In another standout realistic fiction novel that tackles trauma and grief, Glasgow (Girl in Pieces, 2016) introduces 16-year-old Tiger (n�e Grace) Tolliver, whose simple, sheltered life in Mesa Luna, Arizona, is turned upside down when her single mother passes away suddenly from an aneurysm. In the midst of her guilt over her vitriolic last words to her mother, Tiger is placed into foster care and is confronted with the harsh realities many children go through in the system. Tiger's frank voice leads readers through her complicated grieving process, which includes never taking off the second-hand dress for the school dance her mother picked out for her right before she passed. While the ending meanders, Glasgow skillfully depicts different ways grief can manifest in a realistic, empathetic manner. The voice of Tiger's girl-bug becomes a particularly effective narrative device after Tiger notes, You'll look alive on the outside but be dead on the inside, flicking your wings and watching everyone through the jar. Tiger's distinctive, haunting voice will be hard to forget.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)

July 1, 2019
Tiger is intensely close with her single mom, even if she bristles at times against her mom's overprotective tendencies. When her mother dies suddenly, Tiger is left absolutely bereft, struggling to find her way in the absence of her most foundational relationship. At times, the first-person narrative is almost claustrophobic in its intimacy, making for a painful but powerful evocation of grief and loss.

(Copyright 2019 by The Horn Book, Incorporated, Boston. All rights reserved.)